Where were you this morning?
Why halo thar! I can has people burgers?
I hate that I spend so much of my effort on this website talking about TV.
There're a myriad of other things I could be talking about, but it's just.. whenever something comes up on the boobtube I feel immediately inclined to write about it. This time I'm writing about the new show "V".
A rip off of Independence Day, which was a rip-off of the original "V" from the 80's, this hour-long sci-fi drama premiered the other day. I caught it on CTV. I am of course generally against remakes and re-imaginings for reasons I have expressed before, but this series premier has started to change my opinion... find out why below!
Basically, the show is about an earth-wide alien invasion. Called the Visitors, or Vs, these attractive, human-like creatures drop motherships down, which hover above all major cities on the planet (no Toronto, or Ottawa of course.) They're smooth talking, hot walking aliens who promise new technology, betterment of medical science, and all sorts of other stuff that we 21st centurians need.
And oh yeah - they're actually evil reptile aliens disguised as people who want to eat us all up.
We've got the usual cast of can't-fail characters - the worried mother, the religious figure, the shadowy man with a mysterious past, Alan Tudyk - its all there. And it all works relatively well. But what interested me wasn't the vaguely coherent personal stories, I was caught off guard by the themes seemingly bleeding out of every frame. Let's go back in time...
Remember 2001? Remember that thing that happened in September? No, not my thirteenth birthday - that terrorist attack. It set off a western panic for years to come, not to mention it forever changed the way we saw ourselves, that is, no longer invincible. I think that's one of the concepts this show is trying to get across. I think that because the writers cleverly pointed it out in the first five seconds of the first episode. \/
Because this show is just as important as that was.
First thing we see are the words "Where were you when JFK was assassinated?" then "Where were you on 9/11" followed up cleverly with "Where were you this morning?". My thing with this isn't so immediately apparent, I need to explain more.
Remember that we're still back in 2001. The American president back then was George I-believe-fish-and-people-can-coexist-peacefully W. Bush. Who didn't hate that guy? Certainly no one in the entertainment industry, that's for certain.
Every second TV show, or film, or book, or Double Bubble cartoon had some sort of commentary on the Bush administration and/or the scary, paranoid nature of both them and the people they governed. Heck, even the new Star Wars are allegories for what a douche W. was. It was a time of assurance. Growing up, I knew who the bad guy was - and so did every other sane individual. But the times, they are a changin'.
Now America has Obama. A White Knight (hehe) who's here to clean up the country. Instead of depress-fests like the fatalist Matrix or the bleak 28 Days Later, we get movies like Star Trek. We're told to hope. We're told things are going to change. That's all fine and dandy, but now, at whom do we direct our frustration?
I think it's left us all a little jilted. Before we writers had it easy - ATTACK BUSH, ATTACK COLIN POWELL, ATTACK AMERICAN IGNORANCE! But now that crutch is gone. The easy button of political commentary has disappeared, and we're being forced to say new things.
Now back to 2009 - V has just come out and in the first episode alone, the secretly evil Visitors have already promised "hope" "change" and even "universal healthcare". Watching the episode I couldn't help but think that the writers were trying to suggest, through scaley, alien metaphors that we should be weary of Barack Obama.
Barack Obama - Agent of social change, or evil reptilian invader?
How dare they! I thought. He's doing a good job, who are these people to criticise him so early in his career? Why can't they just leave Barack alone! And then it hit me.
My life has flip-turned upside-down.
As a liberal, I used to hang my head every time Bush created a new 'ism'. I sat up on my high horse here in the cold, white north, and looked down on all you yankees. I smugly assured myself that things would never get as bad up here. I used the dire situation as an opportunity to attempt to enter the avant-garde through social commentary. But all that has changed.
Now I am a supporter of the victor, I'm no longer some underdog who shuts up when things are going well, and throws his hands in the air every time something goes wrong. My role in society has gone from accusing the people in power to defending them. That's kind of fucked if you think about it.
Those roles shouldn't be there. I shouldn't be putting up walls between me and other people. I should always be looking at the situation at hand, and judging it based on what I believe, not who's side I'm on.
And that's kind of what's going on in this show. As human beings begin to assess the alien occupation, some are choosing sides, others are wait-and-seeing it. Just like real-life present day America.
Now was all this controversy intentional? We're not super sure. Wikipedia says other people have been talking about this, but that the cast and crew deny any bias.
One TV Critic called it "a barbed commentary on Obamania that will infuriate the president's supporters and delight his detractors." And this blogger muses that it may have been written by participants of the recent Tea Party protests.
To me though, at this point, it doesn't matter one fucking iota.
More than ever it's clear that finally, America, and the world itself, has begun to move past the artistically crippling paradigm of making everything a metaphor for how much the U.S. sucks. We're talking about new stuff, finally - namely beware of false idols, something we - Obama or not - should all remember.
Art (storytelling) is really just a tool. Or rather, an excuse to get people thinking, get people moving, and get people feeling. V has underlined to me that the only way to move forward with our art (that is, the only way to fight off this intellectual masturbatory concept known as the remake) is to make sure every iteration of these stale ideas, be it the new Robin Hood, the new Batman, or Star Trek has something important to say about the time it was made.
So even if the themes brought out offend me, they're still worth contemplating. Actually, make that "especially if they offend me". And even though Earth has been invaded countless times, it's never happened quite exactly like this.
I guess in the end, what I'm trying to say is that I for one, welcome our new overlords.
-K